In 1887, Carrie H. Lippincott was a twenty-seven-year-old New Jersey native with an eighth-grade education. She moved to Minnesota, where she created a mail-order company focused on selling flower seeds to women. Lippincott established herself in her new home by practicing innovative marketing methods and developing what we might call today a personal brand, declaring herself “The Pioneer Seedswoman of America.”
When Lippincott arrived in Minneapolis in the late 1880s, she turned to her brother-in-law, Samuel Y. Haines, for advice on finding a job. Haines, who was working for the Minneapolis seed house Braslan, Northrup, Goodwin and Company (later renamed Northrup, King and Company), encouraged her to follow his example and sell seeds. He assured her that the nation’s rapidly expanding mail-order business had room for a woman “with the nerve to advertise and the knowledge to fill her orders satisfactorily.”
Lippincott took Haines’ advice and worked side-by-side with him for a few years, learning the seed business and mapping sales strategies for an audience of women. She launched her business in 1891 under the name “Miss C. H. Lippincott.” That first year, she filled 6,000 orders. In 1894, she tallied 100,000.
Lippincott’s mail-order marketing plan began each January with the release of a new catalog. At five by seven inches, her publications were half the size of most seed catalogs and designed to appeal to women. Cover art featured cherubic children and an abundance of flowers. Inside, pages offered instructions on cultivating seeds, with hints on how and where each variety might thrive.
Her next step was to post advertisements in magazines and newspapers. Although the ads were small, they were conspicuous, typically positioned at the top or side columns of the page. The ads were not intended to secure a sale; they were an invitation to send for a free catalog. With catalogs in buyers’ hands, Lippincott used upselling methods to boost sales. Prices were just pennies a seed packet, but orders could be bumped up to qualify for free gifts. Her 1894 catalog offered fifteen cents’ worth of free seeds on orders totaling fifty cents. Costlier purchases earned more seeds or a rose plant. Every customer could request Lippincott’s free booklet Floral Culture, with its detailed instructions for growing hundreds of flower strains.
Lippincott constructed a loyal community. Most years, she placed a friendly greeting in her catalogs with updates on the Lippincott family and her company. By 1896, she was receiving 150,000 orders a year from customers in Japan, India, and South Africa as well as Minnesota. She expanded her inventory based on customers’ requests, adding vines and more roses to her stock in 1903 and vegetable seeds in 1907.
Lippincott’s success drew competition from other Minnesota entrepreneurs, including women with connections to established seed companies. In the mid-1890s, Jessie R. Prior took over the flower sales for her husband’s seed store, marketing herself as “Seedswoman.” A year later, a local florist, E. Nagel and Company, passed its flower seed business to Emma V. White, the “Northstar Seedswoman.”
Lippincott’s most challenging rival, however, turned out to be her brother-in-law. In 1898 Haines filed a lawsuit against her, claiming rights to half the ownership of the C. H. Lippincott seed company. He claimed to be a partner in the business; she protested that the business that bore her name was hers alone. The case was dismissed when Lippincott and Haines agreed to divide the company’s assets equally. Lippincott quickly started over, releasing an 1899 catalog just weeks after the dissolution.
Lippincott continued her mail-order sales for another twenty years. During World War I, she echoed the nation’s call for Liberty Gardens and offered a vegetable seed collection for twenty-five cents. She called on her customers to order seeds carefully and waste nothing while still planting flowers to provide beauty in troubled times. She continued to live in Minneapolis until her death, at age eighty-one, in 1941.
The last of Lippincott’s seed catalogs was published in 1918, but her catalogs and seed packets have become Americana collectibles. They are preserved in numerous university and state library archives, including the University of Minnesota’s Andersen Horticultural Library and the Biodiversity Heritage Library, headquartered at the Smithsonian Libraries and Archives in Washington, DC.
“Briefs of the Courts.” Minneapolis Tribune, July 17,1898.
“Court Briefs.” Minneapolis Daily Times, July 13, 1898.
“Court Briefs.” Minneapolis Daily Times, December 15, 1898.
“Court Notes.” Minneapolis Journal, October 12, 1898.
“Death.” Minneapolis Daily Times, November 18, 1941.
“A Rare Lot of Pansies.” Minneapolis Tribune, October 20, 1896.
Huebscher, Jennifer. “Miss Carrie H. Lippincott: The Woman Behind the Seed Empire and the Fight for Her Name.” Minnesota History 69, no. 3 (Fall 2024): 106–118.
https://storage.googleapis.com/mnhs-org-support/mn_history_articles/69/v69i03p106-118.pdf
“Town Talk.” Minneapolis Journal, July 15, 1909.
“Two Big Realty Deeds Swell Week’s Record.” Minneapolis Daily Times, April 30, 1905.
“Woman in Business.” Minneapolis Daily Times, November 10, 1896.
“Women’s Varied Occupations: No. 1—The Seedswoman.” Minneapolis Journal, November 8, 1915.
In 1909, Carrie Lippincott moves her flower seed company from Minneapolis to Hudson, Wisconsin, to reduce costs and consolidate business. In her new location, she adds cut flowers and potted plants to her seed inventory. When she returns to Minneapolis five years later, she opens a Hennepin Avenue storefront combining flower seed sales with a florist shop. As she approaches the age of sixty, she stops producing annual catalogs, reduces her emphasis on seeds, and begins to define her business as a florist shop.
Carrie H. Lippincott is born in New Jersey.
Lippincott and several members of her family move to Minneapolis. The household includes Carrie; her mother, Martha A. Lippincott; two of Carrie’s sisters, Mary Lippincott Haines and Rebecca Lippincott Kent; and their husbands.
Lippincott publishes a circular promoting her new flower seed business.
She produces her first seed catalog and expands her shop into a building adjacent to the family home at 319 and 323 Sixth Street South.
Lippincott announces a contest inviting customers to submit their largest, brightest, and most perfectly shaped pansies grown from C. H. Lippincott seeds. She receives more than 200 entries, and the winners each receive a cash prize.
Lippincott’s annual catalog specifies the number of seeds in each packet, “a rule not practiced by any other seed house.” This allows buyers to better plan their borders and garden beds and is gradually adopted by other seed houses.
Lippincott notes that her flowers are being grown throughout North America as well as in the Philippines, Japan, China, Australia, South Africa, Europe, and Scandinavia.
In her booklet Floral Culture, she invites customers to submit photographs showing their back or front yards with flowers planted from Lippincott seeds. The best photos receive awards of up to twenty dollars. She repeats the contest for three more years.
Having outgrown her previous shop, Lippincott purchases a large, “old fashioned home” and moves her residence and business from Sixth Street to 602 Tenth Street South, Minneapolis.
She transfers her business and her family to Hudson, Wisconsin, an hour from Minneapolis, to lower production costs.
She opens her 1915 catalog by announcing the business is back in Minneapolis (3010 Hennepin Avenue), where mail handling is more convenient.
In her final two seed catalogs, published for the 1917 and 1918 gardening seasons, she includes an advertisement announcing “Fresh Cut Flowers Always on Hand” at her Hennepin Avenue shop.
Lippincott gradually ceases promoting mail-order seeds and begins to define herself in newspaper advertisements as a florist.
Her last advertisement is published in the New Years’s Day edition of The Minneapolis Tribune, under the name “Miss C. H. Lippincott, Florist.”
Lippincott, age eighty-one, dies at the Jones–Harrison Home in Minneapolis.