Multimedia | Page 207

Dakota beadwork band

Dakota band with loomed, geometric beadwork, c.1890.

Dakota bobbin-lace doily

A Dakota tape-lace doily made with linen thread, ca. 1890s–1900s.

Dakota Boy at Fort Snelling concentration camp

Dakota boy at the concentration camp below Fort Snelling, 1863. Photograph by Whitney’s Gallery.

Dakota canoers above Prairie du Chien

View of Dakota canoers on the Mississippi River eighteen miles above Prairie du Chien. Watercolor on paper by Seth Eastman, 1846-1848.

Dakota concentration camp below Fort Snelling

View of the Dakota concentration camp on the river flats below Fort Snelling, c.1862–1863. Photograph by Benjamin Franklin Upton.

Oil on canvas painting of Dakota Indians in council, 1852. Painting by Seth Eastman

Dakota Council

Oil-on-canvas painting of Dakota men in council, 1852. Painting by Seth Eastman.

Dakota cradleboard ornament with quillwork

A cradleboard ornament made of hide decorated with dyed porcupine quills, created by a Dakota woman between 1775 and 1850. Pelagie Faribault would have made quillwork ornaments in a similar style.

Dakota Elder Joe Williams Relates a Traditional Story, Nape

Dakota Elder Joe Williams (Sisseton Wahpeton) relates a traditional story, nape, or handprint, and its meaning to Native people. The Jeffers Petroglyphs Historic Site is arguably one of the most significant historic and cultural sites of its kind in the world. Its continued use over 9,000 years attests to its importance in traditional Indigenous cultures.