Crowd at the dedication of the third statue of Shaynowishkung (He Who Rattles, also known as Chief Bemidji), June 6, 2015. Photograph by Red Lake Nation News. Used with the permission of Red Lake Nation News.

Base of the third statue of Shaynowishkung (He Who Rattles, also known as Chief Bemidji), installed in Bemidji in 2015. The bear's paw print indicates Shaynowishkung's connection to the bear clan of Ojibwe. Photograph by Peter DeCarlo, 2019. Used with the permission of Peter DeCarlo.

The third statue of Shaynowishkung (He Who Rattles, also known as Chief Bemidji) and surrounding landing area. The statue was installed in Bemidji in 2015. Photograph by Peter DeCarlo, 2019. Used with the permission of Peter DeCarlo.

Committee members and Ojibwe leaders at the Shaynowishkung (He Who Rattles, also known as Chief Bemidji) statue dedication ceremony, June 6, 2015. Pictured, left to right, are Carolyn Jacobs, Mitch Blessing, Jon Romer, Larry Aiken, Windy Downwind, Kathryn "Jody" Beaulieu, and Joe Day. Photograph by Red Lake Nation News.

Leech Lake Ojibwe spiritual leader Larry Aitken speaking at the dedication ceremony for the third statue of Shaynowishkung (He Who Rattles, also known as Chief Bemidji), July 6, 2015. Photograph by Michael Meuers for The Circle, July 2015. Used with the permission of The Circle.

Removal of the second statue of Shaynowishkung (He Who Rattles, also known as Chief Bemidji), originally installed in Bemidji in 1952. Photograph by the Bemidji Pioneer, 2014. Used with the permission of the Bemidji Pioneer.

The second Shaynowishkung (He Who Rattles, also known as Chief Bemidji) statue, erected in Bemidji in 1952. Photograph by Anne Hantz, 2014.

Color postcard with an image of the first statue of Shaynowishkung (He Who Rattles, also called Chief Bemidji) in Bemidji, ca. 1950.

The first statue of Shaynowishkung (He Who Rattles, also called Chief Bemidji) in Bemidji, ca. 1930.

Statue of Shaynowishkung (He Who Rattles, also called Chief Bemidji). Photograph by Peter DeCarlo, 2019. Used with the permission of Peter DeCarlo.